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Musicians from Havana and New Orleans would take the twice-daily ferry between both cities to perform and not surprisingly, the habanera quickly took root in the musically fertile Crescent City. The habanera was the first of many Cuban music genres which enjoyed periods of popularity in the United States, and reinforced and inspired the use of tresillo-based rhythms in African American music.

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John Storm Roberts states that the musical genre habanera, "reached the U.S. twenty years before the first rag was published." The piano piece "Ojos Criollos (Danse Cubaine)" (1860) by New Orleans native Louis Moreau Gottschalk, was influenced by the composer's studies in Cuba. The habanera rhythm is clearly heard in the left hand. With Gottschalk's symphonic work "A Night in the Tropics" (1859), we hear the tresillo variant cinquillo extensively. The figure was also used by Scott Joplin and other ragtime composers.

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